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Equalizer two
Equalizer two













equalizer two
  1. EQUALIZER TWO MOVIE
  2. EQUALIZER TWO SERIES

Incredibles 2 (Disney) Week 6 Last weekend #4 Ant-Man and the Wasp (Disney) Week 3 Last weekend #2 Hotel Transylvania 3: Summer Vacation(Sony) Week 2 Last weekend #1 Mamma Mia! Here We Go Again (Universal) NEW – Cinemascore: A- Metacritic: 60 Est. The Equalizer 2 (Sony) NEW – Cinemascore: A Metacritic: 49 Est. “Ant-Man and the Wasp” (Disney) is up to $164 million, but dropped 45 percent its third weekend, with worldwide not likely to get much over $400 million. “Jurassic World: Fallen Kingdom” (Universal) saw only a 32 per cent drop as it heads to over $400 million domestic and past $1.2 billion worldwide. It is headed for the far side of $600 million. It’s Pixar’s biggest domestic release ever. The hold of the week goes to “Incredibles 2” (Disney), down just 29 percent. The $125 million film will only gross about that domestic, and though it is doing better overseas, this one is not guaranteed a success by any means. Let’s not linger too long on “Skyscraper,” but its second weekend drop of 56 percent is by far the worst in the Top Ten. That drop is considerably more than the first two “Hotel” entries, but better than last summer’s biggest animated entry, “Despicable Me 3,” at 53 per cent. Sony is the first company this year to have two different films place first in consecutive weeks (it isn’t Disney). Last weekend’s #1, “Hotel Transylvania” (Sony) dropped 47 percent. It cost so little that even with some domestic marketing it should make a profit worldwide. Its initial gross was less than one fifth of the first film’s opening in April, 2015. Oddly, Universal didn’t push this in their marketing for this thriller about the dangers present on the web. The bi-national production tie continues. The original “Unfriended” was an independent film with Russian production roots acquired by Blumhouse and Universal. The third sequel this weekend is another Jason Blum-partnered film. “Unfriended: Dark Web” Jason Blum is back The Saturday gross fell 23 percent from Friday, virtually the same as before (though Thursday shows are a bigger deal today). What won’t happen is the repeat of the the staggering six time multiple seen in 2008.

equalizer two equalizer two

EQUALIZER TWO MOVIE

The movie is fourth in the Streep box office opening pantheon, behind the original “Mamma Mia!,” “Into the Woods,” and “The Devil Wore Prada.” Streep is barely in the movie, so claims that this is her biggest opening are dubious–especially if you adjust the grosses. No studio consistently delivers on femme-appeal projects with more ease. Universal marketed that as well as the “Pitch Perfect” trilogy. That’s close to “Fifty Shades of Grey” territory. Needless to say, women were the musical’s biggest target. It’s the right film at the right moment, with safe, no-brainer professionally delivered entertainment–and better reviews. The opening number not only reached the high end of expectations, but even a decade after the original, the comparisons are impressive. The drop from first to second film was lower than “Equalizer 2” - with 2018 prices, the first film opened to $35.8 million, compared to $34.4 million this time. This comes a decade after the first one, a strong performer (adjusted $186 million). “Mamma Mia! Here We Go Again” Universal “Mamma Mia!” is a global franchiseĪpart from the first-time Meryl Streep sequel appearance, “Mamma Mia! Here We Go Again” marks a rare attempt at turning a musical hit into a franchise.

EQUALIZER TWO SERIES

In the week before 56-year-old Tom Cruise returns with the latest “Mission: Impossible” effort accompanied by kudos for his sustained career, it’s impressive how well the 63-year-old Washington can open a film from a less established series at less expense with less ensemble support.















Equalizer two